China’s first emperor ordered a search for elixir of life

China’s first emperor – creator of the world-famous terracotta army – was on a quest for eternal life, new archaeological research has revealed.   

A set of wooden slips found in the central province of Hunan contain an executive order from emperor Qin Shihuang for a nationwide search for the elixir of life, along with replies from local governments, according to Xinhua news agency on Sunday.

It cited Zhang Chunlong, a researcher at the provincial institute of archaeology, as saying the emperor’s decree reached even frontier regions and remote villages.

A set of wooden slips found in the central province of Hunan contain an executive order from emperor Qin Shihuang for a nationwide search for the elixir of life, along with replies from local governments

Qin Shihuang was responsible for the massive underground mausoleum in the northern province of Shaanxi filled with nearly 8,000 terracotta soldiers built to protect him in the afterlife

Qin Shihuang was responsible for the massive underground mausoleum in the northern province of Shaanxi filled with nearly 8,000 terracotta soldiers built to protect him in the afterlife

Qin Shihuang’s obsession with eternal life was well-known: He was responsible for the massive underground mausoleum in the northern province of Shaanxi filled with nearly 8,000 terracotta soldiers built to protect him in the afterlife.

By studying the 36,000 wooden slips – found in 2002 at the bottom of a well in Hunan – archaeologists have uncovered not only the imperial order to find an ‘elixir of life’, but also the often embarrassed responses from local authorities who struggled to meet his demands.

According to Xinhua, a village called ‘Duxiang’ reported to the emperor that it had failed to discover a miraculous potion, but that the search was continuing.

Another place, ‘Langya’, suggested that ‘an herb collected from an auspicious local mountain’ might do the job.

The texts were written on a series of wooden slats originally connected to each other by strings. 

Qin Shihuang's 8,000-man terracotta army, crafted around 250 BC for the emperor's tomb, is a UNESCO world heritage site

Qin Shihuang’s 8,000-man terracotta army, crafted around 250 BC for the emperor’s tomb, is a UNESCO world heritage site

This technique was the most common medium of writing in China before the appearance of paper at the beginning of the first millennium AD.

Qin Shihuang’s search for immortality was doomed to failure: He died in 210 BC after reigning for 11 years.

His 8,000-man terracotta army, crafted around 250 BC for the emperor’s tomb, is a UNESCO world heritage site.

The site a major tourist draw and a symbol of ancient Chinese artistic and military sophistication in a country that proclaims itself a 5,000-year-old civilisation.

As emperor, he added, Qin Shihuang ‘not only innovated the terracotta warriors, he also created a series of innovations’ including standardised weights and measures, national roads, and a unified currency. 

Following Qin Shihuan’s death, the Qin dynasty – notorious for its book burnings and executions of literati – laid the foundation for China as a unified nation that has persisted for two millennia.

THE TERRACOTTA WARRIORS 

The Terracotta Army is a form of funerary art buried with the First Emperor in 210 to 209 BC and whose purpose was to protect the emperor in his afterlife.

Arguably the most famous archaeological site in the world, it was discovered by chance by villagers in 1974, and excavation has been on-going at the site since that date.

An extraordinary feat of mass-production, each figure was given an individual personality although they were not intended to be portraits.

The figures vary in height according to their roles, with the tallest being the generals.

Current estimates are that there were over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, the majority of which are still buried.

Since 1998, figures of terracotta acrobats, bureaucrats, musicians and bronze birds have been discovered on site.

They were designed to entertain the Emperor in his afterlife they are of crucial importance to our understanding of his attempts to control the world even in death. 



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