Fury as local handicraft teacher botches restoration of 500-year-old effigy

This is the latest ‘botched’ art restoration project in Spain which has led furious historians to liken a 16th sculpture of St George and the dragon to ‘a fairground carousel figure’.

Experts in Navarre say they are horrified at the finished product, saying the famous figure now looks like a ‘lead soldier’ and is ‘barely recognisable’.

The controversy is such that it has been likened to the next ‘Ecce Homo’ saga which catapulted the small village of Burgos to international fame when an 80-year-old tried to give the religious painting a much-needed facelift.

The statue of St George and the Dragon takes pride of place in the church of San Miguel de Estella in Navarra.

Experts in Navarra say they are horrified at the finished product

Experts in Navarra say they are horrified at the finished product (right), saying the famous figure (shown before left) now looks like a ‘lead soldier’ and is ‘barely recognisable’

The statue was originally decorated in an ancient style known as 'polychrome' in which different colours are used but needed urgent restoration because of its advanced deterioration

The statue was originally decorated in an ancient style known as ‘polychrome’ in which different colours are used but needed urgent restoration because of its advanced deterioration

The result of the restoration has caused outrage both in Navarra and further afield, with people asking what has happened to the sculpture

The result of the restoration has caused outrage both in Navarra and further afield, with people asking what has happened to the sculpture

It is believed to date back at least 500 years and shows the saint in his armour mounted on horseback with the dragon below.

The statue was originally decorated in an ancient style known as ‘polychrome’ in which different colours are used but needed urgent restoration because of its advanced deterioration.

Conservationists say the restoration should have been tackled by an expert but was apparently undertaken by a small art school at the request of the local priest.

The result has caused outrage both in Navarra and further afield, with people asking what has happened to the sculpture.

The controversy is such that it has been likened to the next 'Ecce Homo' saga which catapulted the small village of Burgos to international fame when an 80-year-old tried to give the religious painting a much-needed facelift 

The controversy is such that it has been likened to the next ‘Ecce Homo’ saga which catapulted the small village of Burgos to international fame when an 80-year-old tried to give the religious painting a much-needed facelift 

It’s been slammed as a ‘ninot’ or ‘puppet’ after the treatment allegedly included sanding, covering the surface with plaster and then repainting in only uniform colours, especially on the face. 

The Navarra culture department admits it now looks like a fairground carousel ride.

The local council says it didn’t give the go-ahead to the work, with the Mayor of Estella, Koldo Leoz, commenting: ‘It seems that the restoration leaves something to be desired, being a work of the 16th century, a polychrome sculpture with which we must be very careful with the materials used because you can lose the entire original layer.’ 

Experts will now study the suspect restoration to see if it is irreversible or damaged for ever.

As in Borja in Zaragoza, however, every cloud could well have a silver lining. 

The village hit the headlines in 2012 when its cherished ‘Ecce Homo’ (‘Beyond the Man’) painting was renamed ‘Ecce Mono’ (‘Beyond the Monkey’) because of its very strange facelift.

The Navarra culture department admits it now looks like a fairground carousel ride

The Navarra culture department admits it now looks like a fairground carousel ride

Octogenerian Cecilia Gimenez had the best of intentions when she tried to restore and repair damage to the portrait of Christ, which is nearly a century old.

Unfortunately, the work by the amateur painter didn’t go exactly to plan.

The spectacularly bad results garnered worldwide attention and was dubbed one of ‘the worst art restoration projects of all time’. 

‘Ecce Homo’ by Elias Garcia Martinez had held pride of place in the Sanctuary of Mercy Church since 1930.

Critics said the face of Christ had been turned into a ‘hairy monkey’ in an ill-fitting tunic.

Since the farce, however, Borja has become a mecca for tourists who want to see the treasure for themselves.

It is visited by hundreds of thousands of visitors every year who are now contributing to the church’s swelling coffers. 

The painting has never been changed and remains as Cecilia intended. The image has even appeared on lottery tickets.



Read more at DailyMail.co.uk