Tom Chaplin’s new album deserves a shot at Christmas No 1

Tom Chaplin                Twelve Tales Of Christmas            Island, out Friday 

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When it comes to music, we’re all haunted by the ghost of Christmas past. At carol services we expect the old chestnuts. 

On the day, Top Of The Pops returns to show Sounds Like Friday Night how it’s done. In the charts, the sounds of the Seventies ring out yet again. All together now: I wish it could be Wizzard every year.

This time, there are some new Christmas songs, thanks to an unlikely saviour. Tom Chaplin, of Keane, hails from the land of indie, which usually leaves Christmas to the pop stars. 

Keane's Tom Chaplin (above) has released a Christmas album. His sugar-free version of Howard Blake’s Walking In The Air deserves to vie with Wham! for Christmas No 1

Keane’s Tom Chaplin (above) has released a Christmas album. His sugar-free version of Howard Blake’s Walking In The Air deserves to vie with Wham! for Christmas No 1

And where he once resembled a rosy-cheeked cherub, he now bears the scars of some battles with drugs.

Still, he has two vital qualifications for the job: the voice of an angel, and an eye for life as it really is. 

In his Twelve Tales, Chaplin is neither dreaming of a white Christmas, nor simply having a wonderful Christmas time. 

As the dad of a small daughter, he’s not immune to the charms of the season.  Sonically, this album is descended from Greg Lake’s I Believe In Father Christmas, with its subtle shimmer. 

But lyrically, it leans towards Wham!’s Last Christmas, with a sense of the darkness that lurks behind the tinsel.

‘There’s a bittersweet quality to this time of year,’ Chaplin says, ‘that made me want to explore the themes of love, lost love and remembering those we have lost.’ That’s a lot of loss, and it brings depth to the eight new songs here.

There’s also a dash of the earthy realism that has made the Pogues’ Fairytale Of New York so indispensable. 

The first single, Under A Million Lights, is beguiling but blunt: ‘It’s easy to think we’re screwed/Reading the front-page news.’

The four covers are thoughtful choices, ranging from Joni Mitchell (River) to East 17 (Stay Another Day). 

The Pretenders’ 2000 Miles is there too, but best of all is a sugar-free version of Howard Blake’s Walking In The Air. It deserves to vie with Wham! for Christmas No 1.

 

THIS WEEK’S CD RELEASES

By Adam Woods

 

Gregory Porter                      Nat ‘King’ Cole & Me                  Decca, out now 

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Steering clear of Cole’s earlier work, crossover star Porter plunges into standards (Ballerina, L-O-V -E) and ballads (Miss Otis Regrets), while finding personal significance in I Wonder Who My Daddy Is. A bit too much syrup – but plenty of love and charm

Steering clear of Cole’s earlier work, crossover star Porter plunges into standards (Ballerina, L-O-V -E) and ballads (Miss Otis Regrets), while finding personal significance in I Wonder Who My Daddy Is. A bit too much syrup – but plenty of love and charm

 

Paloma Faith                                 The Architect                           RCA, out Friday 

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Faith’s fourth record is a compendium of contemporary issues: she’s got a gender-neutral baby and songs about Brexit (Guilty) and male emotional vulnerability (Crybaby). Musically, though, it’s still retro-pop of a dependable kind

Faith’s fourth record is a compendium of contemporary issues: she’s got a gender-neutral baby and songs about Brexit (Guilty) and male emotional vulnerability (Crybaby). Musically, though, it’s still retro-pop of a dependable kind

 

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