Tony-winning playwright Terrence McNally is dead at 81 after suffering complications due to coronavirus.
McNally passed Tuesday at Sarasota Memorial Hospital in Sarasota, Florida, according to a spokesperson.
The four-time Tony winner was a lung cancer survivor who lived with COPD, putting him in a high risk category.
RIP: Tony-winning playwright Terrence McNally is dead at 81 after suffering complications due to coronavirus
He is survived by husband Tom Rirdahy, a Broadway producer who he frequently collaborated with.
McNally was beloved for his productions, which include musicals like Master Class, Ragtime, The Ritz, Frankie and Johnny In The Clair de Lune, The Full Monty, Love! Valour! Compassion!, Kiss of the Spider Woman, The Rink and And Things That Go Bump in the Night.
Born in St. Petersburg, Florida, McNally was once described as’ the bard of American theater’ by the New York Times.
His plays and musicals explored how people connect – or fail to. With wit and thoughtfulness, he tackled the strains in families, war, and relationships and probed the spark and costs of creativity. He was an openly gay writer who wrote about homophobia, love and AIDS.
Life: The four-time Tony winner (above in 1974) was a lung cancer survivor who lived with COPD, putting him in a high risk category
‘I like to work with people who are a lot more talented and smarter than me, who make fewer mistakes than I do, and who can call me out when I do something lazy,’ he told LA Stage Times in 2013. ‘A lot of people stop learning in life, and that´s their tragedy.’
McNally’s Lips Together, Teeth Apart, about two married couples who spend a weekend on Fire Island, was a landmark play about AIDS. His play The Ritz became one of the first plays with unapologetic gay characters to reach a mainstream audience.
McNally also explored gay themes in the book for the musical Kiss of the Spider Woman, for which he won his first Tony Award. His play Love! Valour! Compassion! earned him another Tony Award for its portrayal of eight gay men facing issues of fidelity, love and happiness.
Partner for life: He is survived by husband Tom Rirdahy, a Broadway producer who he frequently collaborated with, together in 2019 above
‘Theater changes hearts, that secret place where we all truly live,’ he said at the 2019 Tony Awards, where he accepted a lifetime achievement award. ‘The world needs artists more than ever to remind us what truth and beauty and kindness really are.’
F. Murray Abraham, the Oscar-winner who appeared on Broadway in ‘The Ritz’ said of McNally: ‘His plays are a pleasure to do, but what he says is important, too. And he’s like a fountain he keeps on writing and writing and writing.’
In 2018 he was inducted into the American Academy of Arts and Letters. He won four Tonys and an Emmy. New York University gave him an honorary doctorate in 2019.
Andrew D. Hamilton, president of New York University, told the crowd that day that McNally put a ‘unique stamp on American drama by probing the urgent need for connection that resonates at the core of human experience.’
True talent: Born in St. Petersburg, Florida, McNally was once described as’ the bard of American theater’ by the New York Times
Some of his Broadway musical adaptations include The Full Monty, adapted from the British film and scored by David Yazbek; Catch Me if You Can, based on the Steven Spielberg film, and scored by composer Marc Shaiman and lyricist Scott Wittman; and Ragtime, the musical based on the novel by E.L. Doctorow, which won four Tony Awards. In 2017, his musical reworking of the film Anastasia landed on Broadway.
His 2014 Broadway play Mothers and Sons – revisiting McNally´s 1990 TV movie Andre´s Mother, which won him an Emmy Award – explores the relationship between a mother and her dead son´s former gay partner. His It´s Only a Play was a valentine to theater-making. His The Visit was a meditation on revenge.
McNally was born in St. Petersburg, Florida, and grew up in Corpus Christi, Texas, listening to radio broadcasts of The Green Hornet and the Metropolitan Opera. He graduated Phi Beta Kappa from Columbia University in 1960 with a degree in English.
McNally was at the Actors Studio when he was hired by novelist John Steinbeck to be a tutor and guardian to his sons. One of McNally’s earliest theater attempts was writing the book for a musical adaptation of Steinbeck’s ‘East of Eden’ which was called Here’s Where I Belong and lasted only a single performance on Broadway in 1968.
Trailblazer: His plays and musicals tackled the strains in families, war, and relationships and probed the spark and costs of creativity. He was an openly gay writer who wrote about homophobia, love and AIDS
McNally’s first Broadway play And Things That Go Bump in the Night didn’t fare much better in 1965. His absurdist, symbolic melodrama about good and evil confounded critics. Newsday called it ‘ugly, perverted, tasteless.’ It closed in less than three weeks. He was 24.
He rebounded with the 1969 off-Broadway hit Next, a two-character comedy about a reluctant draftee reporting for an Army physical. A string of successes followed, including Where Has Tommy Flowers Gone? (1971), The Tubs (1974), Bad Habits (1974) and The Ritz (1975), a farce set in a gay bathhouse that ran more than a year on Broadway and became McNally’s first produced screenplay.
His breakout, Frankie and Johnny in the Clair de Lune, about a romance between a waitress and short order cook, was later adapted into a film starring Al Pacino and Michelle Pfeiffer. It was revived on Broadway in 2019 starring Audra McDonald.
Credits: McNally was beloved for his productions, which include musicals like Master Class, Ragtime, The Ritz, Frankie and Johnny In The Clair de Lune, The Full Monty, Love! Valour! Compassion!, Kiss of the Spider Woman, The Rink and And Things That Go Bump in the Night
McNally sometimes was controversial, especially with his play Corpus Christi, which depicts a modern-day Jesus as a homosexual. The Manhattan Theater Club, the first company to consider staging it, received death threats and temporarily canceled the production before enjoying a successful run.
When picking up his Ragtime Tony Award, McNally thanked the theater community for its outcry. ‘You came together when I was in trouble. It was a time of oppression. You came together overnight. Our voices were heard, and we won.’ Holding his Tony high, he said, ‘So this is for freedom. Thank you.’
McNally and his partner, Thomas Kirdahy, married in Vermont in 2003, and again in Washington, D.C., in 2010.