Beautiful, brazen and bizarre: Our Australian Fashion Week experts rank the best and worst celebrity outfits of 2025

Australian Fashion Week 2025 has officially wrapped – and now the last stiletto has clicked off the runway, it’s time to unpack the chaos, couture, and questionable choices that made this year’s event one to remember.

From opening night to the final runway stomp, the country’s most stylish names – and some unexpected outliers – turned up in their Sunday best, midriff-bearing wildcards, and everything in between. 

This year’s fashion crowd proved once again that the sidewalk is just as competitive as the catwalk.

Whether they donned archival designer pieces, sustainable handmade looks, or whatever their stylist could pull together last minute – it’s clear the fashion set was out to draw attention. Some succeeded. Others… well, let’s just say they made a mark.

Trends emerged fast and loud; but as always, not everyone got the memo. Some stars stepped out in looks that missed the point by a thread (or three), while others played it far too safe – blending into the crowd when the whole point of Fashion Week is to stand out.

And then there were the truly puzzling ensembles: mismatched textures, bizarre silhouettes, and DIY dreams gone rogue. But it wasn’t all fashion faux pas.

Among the chaos, we saw a parade of showstoppers: form-fitting power suits, sheer moments done right, and luxe coats that turned the Carriageworks concrete into a couture runway. These were the outfits that made us pause, rewind and screenshot with delight.

FEMAIL has broken down the most memorable moments from the front row to the media wall: the best dressed, the worst dressed, and the ‘what were they thinking?’ wildcards who made it all worth watching.

BEST DRESSED

Australian Fashion Week 2025 kicked off in style, with Carriageworks transformed into a runway of its own as the fashion set arrived dressed to impress.

From razor-sharp tailoring to romantic lace, daring cut-outs to unexpected textures, the front row delivered a masterclass in high-impact dressing.

Guests weren’t just following trends – they were setting them.

While a few played it safe in all-black ensembles, none slipped into the dreaded ‘bland’ territory – thanks to plunging necklines, statement shoes, and playful styling twists. 

It was a celebration of individuality, glamour, and the unmistakable flair that defines Australian style.

As always, not every look will be everyone’s cup of tea – but these were the outfits that turned heads, snapped cameras, and earned their place on our best dressed list.  

DAY ONE 

Day one featured the highly anticipated Carla Zampatti runway followed by the official AFW 2025 Opening Night Party.

Zampatti’s show delivered sheer gowns in cool-toned metallics, sequin embellishments, and structured tailoring softened by silk drapes.

As the party kicked off, fashion insiders, influencers, and designers raised their glasses to what promised to be a standout week for Australian style.

And if day one was anything to go by, the bar was already sky high. 

Australian Fashion Week 2025 kicked off in style, with Carriageworks transformed into a runway of its own as the fashion set arrived dressed to impress [Pictured: Jackie ‘O’ Henderson, Mary Vitinaros, Terry Biviano]

Radio queen Jackie ‘O’ Henderson turned heads in a sleek Yves Saint Laurent blazer paired with a flowing Carla Zampatti maxi skirt. Beneath it, she added a sheer Carla Zampatti bustier for a sultry touch, finished with dark-toned Jimmy Choo heels.

The 50-year-old looked effortlessly polished with soft waves, peachy blush, and a coral nude lip – proof that timeless glamour never goes out of style.

Mary Vitinaros stunned in a bridal-inspired Stratus gown by Shona Joy – a high-neck, cut-out lace masterpiece with a silky matte finish. While technically a wedding dress, it transitioned seamlessly to the front row thanks to its sheer panelling, button-back detail and floor-skimming silhouette. 

Terry Biviano served chic drama in a Carla Zampatti navy silk organza trench, layered over a dark bodysuit. The lightweight piece flowed with every step, offering a contemporary twist on the classic trench. With its structured shoulders and ethereal finish, it was the perfect balance of strength and softness. 

Meanwhile former Miss Universe Australia Maria Thattil brought the heat in a reimagined Carla Zampatti Dahlia gown. Trading the traditional underdress for a red bodysuit, she gave the lacy slip a bold makeover. With its delicate long sleeves and deep crimson hue, the look was all about modern romance – with a daring edge.

Grace Hayden leaned into fashion’s playful side with a black faux leather fitted jacket by Carla Zampatti, styled over a bodysuit with furry tassels. The structured silhouette was offset by a mini bag adorned with a large bow and a pair of Steve Madden pointed heels. It was edgy, tongue-in-cheek, and undeniably fun.

YouTuber (and Tammy Hembrow’s sister Emilee Hembrow) is never one to shy away from a statement, and she stepped out in a three-toned ensemble: a gold tasseled jacket, a sheer white turtleneck layered over a white bra, and high-waisted black shorts.

Emilee tied the look together with strappy gold Steve Madden heels. Flashy? Yes. Forgettable? Absolutely not.

As the party kicked off, fashion insiders, influencers, and designers raised their glasses to what promises to be a standout week for Australian style [Pictured: Maria Thattil, Grace Hayden, Emilee Hembrow] 

DAY TWO 

Day two kept the momentum going, with a packed schedule of standout shows at Carriageworks and beyond.

From the sharp sophistication of Farage and Beare Park to the more playful, boundary-pushing energy of Diary of a Naughtie Kid and The Frontier, the runway was a study in contrasts – and so was the front row.

The day’s shows included: The Frontier, Lee Mathews, Joseph & James, Nagnata, Diary of a Naughtie Kid, Beare Park, and Farage.

Across the venue, the style set embraced elevated minimalism and utilitarian cool, often punctuated with bold accessories and thoughtful tailoring. Think crisp suiting, asymmetrical silhouettes, and tactile fabrics like satin and wool.

Trench coats made a strong appearance both on and off the runway – reimagined in soft, waterproof silks and military-inspired cuts – while knee-high boots and statement eyewear added polish to otherwise pared-back looks. 

Colour stories ranged from serene neutrals to unexpected pops: apple green, plum, and fire engine red all had their moments. While some leaned into soft femininity with pleats and draped silhouettes, others channelled power-dressing with sharp shoulders, metal hardware, and cinched waists.

Isabel Lucas [left] turned heads in an apple green satin dress with delicate waist draping and a high boat neckline. She grounded the elegant silhouette with black suede boots and a classic Chanel bag for a refined yet slightly rebellious look at the Lee Mathews show 

From luxe trenches to bold boots and plenty of asymmetry, day two made one thing clear: this season is all about subtle drama, purposeful layering, and personal flair [Pictured: Jamie Nguyen, Sarah Stephens, Sharon Johal] 

Suits have been all the rage, and Laura Albertin [left] channelled effortless sophistication in a crisp white Bianca and Bridget suit dress. Ellie Gonsalves [right] stunned in a white tuxedo jacket and pants paired with a buttoned-up shirt and satin tie

Isabel Lucas turned heads in an apple green satin dress with delicate waist draping and a high boat neckline. She grounded the elegant silhouette with black suede boots and a classic Chanel bag for a refined yet slightly rebellious look at the Lee Mathews show.

Model Jamie Nguyen was the definition of cool-girl chic in the khaki Courtney Zheng Janne silk waterproof trench. The A-line silhouette gave structure, while a bold red YSL leather bag and brown Loewe pointed-toe boots brought rich contrast and personality.

Sarah Stephens brought edge to the front row in a sleek Wynn Hamlyn mini dress featuring a sharp one-shoulder cut and a metallic clasp detail across the chest. She completed the look with black crocodile leather ankle boots and oversized YSL sunglasses – equal parts attitude and allure.

On the other hand, Sharon Johal gave monochrome a modern twist in a full-grey outfit. A sleeveless knit top and long pleated skirt created textural harmony, while a newsboy cap and a thick black belt with a silver buckle added both structure and statement appeal.

Suits have been all the rage, and Laura Albertin channelled effortless sophistication in a crisp white Bianca and Bridget suit dress. She introduced a splash of colour with deep plum Billini boots and topped the look with angular Celine sunglasses that oozed confidence.

Following the trend, Ellie Gonsalves stunned in a white tuxedo jacket and pants paired with a buttoned-up shirt and satin tie from Farage.

From luxe trenches to bold boots and plenty of asymmetry, day two made one thing clear: this season is all about subtle drama, purposeful layering, and personal flair. 

DAY THREE 

Hitting the midway mark, Wednesday at Fashion Week kept the energy, excitement and sartorial offerings at an all-time high with shows on and off-site.

It was a day of frills, sparkles and denim galore as the fashion pack strutted from runway to runway through jam-packed schedules into the night.

The day’s highlights included: Aje, Alex Higgins, The Atelier, Ngali, Bianca Spender, AFC Talks, Karla Spetic, the Ebay X Vogue dinner and Macgraw.

To kick off, celebrities and the fashion-elite came out if force for Aje’s runway show at Barangaroo Reserve in the city’s business district.

Taking over Pier Pavillion, attendees were spoilt with a spectacular view of Sydney Harbour, an uninterrupted backdrop of the the Crown Hotel tower and gorgeous sunshine through the open air venue. 

Fringing details were a standout in the show, so was tulle (and lots of it) both on and off the runway, with light layered material, black leather and crisp denim setting the tone.

Carrie Bickmore shone bright in a structured gold flower-themed top from the brand and an A-Esque metallic gold clutch, but chose to dress the outfit down with comfortable Henne jeans. Maria Thattil stole the front row in true pageant queen-style by wearing an Aje gown adorned with diamantes, a pair of Wittner black boots, a Dior hat, Bvlgari bag and Dior vintage earrings to complete her look

Denim reigned supreme at Wednesday’s Aje show, with stand-out ensembles of three-ways-to-wear the perfect jeans, as showcased by Violet Grace Atkinson [left], Christian Wilkins [middle] and Anna Heinrich [right]

In true model style, Isabel Lucas [left], Jessica Gomes [middle] and Montana Cox [right] made frills, denim and leather look effortless at Aje’s runway show off-site

Carrie Bickmore shone bright in a structured gold flower-themed top from Aje and an A-Esque metallic gold clutch, but chose to dress the outfit down with comfortable Henne jeans and nude nails.

Maria Thattil on the other hand, stole the front row in true pageant queen-style by wearing an Aje gown adorned with diamantes, a pair of Wittner black boots, a Dior hat, Bvlgari bag and Dior vintage earrings to complete her look.

Comfort was key for fashion-fanatic Violet Grace Atkinson. The Sydney-sider never shies away from colour, and chose a yellow, warm wool cape paired with relaxed light denim pants for the Aje show as well as a large blue Mulberry bag for her essentials. 

Later in the day, the effortlessly stylish Anna returned in a stunning Bianca Spender shifting coat in clay. Nikki Phillips was close behind – and you couldn’t miss her in a head-to-toe suit and trench by Leo Lin and a pair of Lana Wilkinson heels

Christian Wilkins loves to turn heads, and did so perfectly with a bouncy blowout courtesy of the on-site hair team. Opting for an all-denim look, including denim boots and an oversized trench, the whole looked screamed 90s popstar.

Anna Heinrich chose to play things safe in denim and black. The Bachelor star looked radiant in Aje, pairing a tailored crop jacket with jeans and black strappy heels.

Isabel Lucas stepped out in the colour of the season – a mocha frilled dress paired with knee-high black suede boots and a matching bag forever showing us that high fashion can still look whimsical and effortless too.

Jessica Gomes opted for Matrix-esque sunglasses paired with a black faux-leather shirt from Aje, a studded belt and Alias Mae slingback heels 

Australia’s Next Top model alumni Montana Cox redefined the Canadian Tuxedo with a disheveled-cut double-denim ensemble – also from the designer – paired with oversized sunglasses to complete her outfit. 

Later in the day, the effortlessly stylish Anna returned in a stunning Bianca Spender shifting coat in clay. Nikki Phillips was close behind – and you couldn’t miss her in a head-to-toe suit and trench by Leo Lin and a pair of classic Lana Wilkinson heels.

DAY FOUR 

The relentless rain didn’t hold our fashionistas back on day four, with a flood of buzzing guests storming Carriageworks like clockwork shortly before 11am in a sea of earthy neutrals, breathtaking tailored creations and DIY pieces that wouldn’t look out of place in (a high-end) Candyland.

The day begun with the glorious Hansen & Gretel show before several on-site talks, the beautifully quirky art display that was the Iordanes Spyridon Gogos runway, an eye-popping Gary Bigeni show that morphed into an all-out dance party, Mariam Seddiq’s breathtaking sculptural show and, finally, the off-site Nicol & Ford runway. 

And while the fashion was as varied as the events, the street style featured some of the most creative and effortlessly slick looks we’ve seen all week. 

Designer Rebecca Burrow was one of the first to arrive, looking flawless (and perfectly weather appropriate) in her Hansen & Gretel get-up which was paired with a cosy Camilla and Marc leather jacket, black boots and LV clutch bag. 

Real Housewives star Krissy Marsh [left] had an early win as she showed off her enviable figure in a LBD from Eliya the Label, black lace stockings and a pair of classic Jimmy Choo heels. So, too did actor and model Nova Onas [right] who playfully (and practically) toed the line between fashion and art in an adorable ASOS Luxe ruffle mini dress and Bershka Hello Kitty sneakers

Content creator Jade Brycki also opted for a more autumnal vibe in a gorgeous herringbone coat from Hansen & Gretel, flowing Scanlan Theodore skirt and cheeky crochet top. She executed the elevated boho look perfectly, completing it with an understated Coach flap bag and a pair of Tony Bianco heels.

Meanwhile the master of elegance, model Sarah Stephens, kept it simple in a two-piece black set and mulberry accessories as she made her way to the Hansel & Gretel runway. 

Real Housewives star Krissy Marsh had an early win as she showed off her enviable figure in an LBD from Eliya the Label, black lace stockings and a pair of classic Jimmy Choo heels. 

So, too did actor and model Nova Onas who playfully (and practically) toed the line between fashion and art in an adorable ASOS Luxe wired ruffle mini dress and Hello Kitty rhinestone sneakers from Bershka. 

You could sense the cooler weather sweeping the city by the day four colour palette alone as neutrals and earthy tones quickly became the go-to for most. 

And many pulled it off brilliantly, with Matisse De Giorgi, Eloise Mummé and Ella Squire all donning new Hansen & Gretel pieces and matching Charles & Keith bags.

Guests then pulled off the ultimate ‘day to night’ switch-up and arrived for Mariam Seddiq’s evening runway in structured gowns, plunging suits and bold red numbers. 

Jackie O had yet another sartorial slam dunk in her Mariam Seddiq blazer dress while Nikki Phillips ensured all eyes were on her in her spectacular Mariam dress which she styled with a pair of matching trousers and a blazer.

WORST DRESSED

These guests stood out from the crowd – and not always for the right reasons. 

While some took the plunge in daring midriffs, sheer frocks, eye-popping floral designs, others played it far too safe or were simply led astray by overly ambitious or overwhelmed stylists.

Either way, these are the attendees who raised eyebrows this week… and those who blended into the crowd and disappeared entirely.

DAY ONE

Not every outfit can be a winner – and on day one, a few front row guests proved that even the most fashion-savvy names can slip up.

While the runway was bursting with bold tailoring, refined lace, and risk-taking glamour, some attendees either missed the memo or tried a little too hard to make one of their own.

From chaotic styling choices to outfits that lacked cohesion – or worse, imagination – these looks had us scratching our heads, raising our brows, and occasionally wishing we could hit the fashion ‘undo’ button. Let’s dive in.

Imogen Anthony turned heads for all the wrong reasons in a mash-up of pieces that looked like they were pulled from entirely different wardrobes – and decades. She paired face and body jewellery by Ana Jol with a black Camilla and Marc overcoat, distressed Dolls Kill jeans, and Amina Muaddi heels 

Pip Edwards played it far too safe in a backless black halter and casual black trousers, accessorised with what appeared to be a novelty purse. It wasn’t offensive – but that’s exactly the problem. At one of the most style-packed events on the calendar, blending in is the biggest faux pas of all 

Phoebe Burgess and Bambi Northwood-Blyth, both in Carla Zampatti, sadly didn’t do the legacy label justice. Phoebe’s tangerine-and-blue silk tie-neck blouse and matching pants had all the subtlety of a tropical doona set – loud, busy, and overwhelming.  Meanwhile, Bambi’s pond water-brown ruched polka dot dress felt like a throwback to 2015, but not in a fun, nostalgic way

Imogen Anthony turned heads for all the wrong reasons in a mash-up of pieces that looked like they were pulled from entirely different wardrobes – and decades. She paired face and body jewellery by Ana Jol with a black Camilla and Marc overcoat, distressed Dolls Kill jeans, and Amina Muaddi heels.

While the facial embellishments might’ve shone in a high-concept editorial, they clashed with the torn denim and otherwise somber coat, leaving the whole ensemble feeling more costume party than couture.

Pip Edwards played it far too safe in a backless black halter and casual black trousers, accessorised with what appeared to be a novelty purse. It wasn’t offensive – but that’s exactly the problem. At one of the most style-packed events on the calendar, blending in is the biggest faux pas of all. The look lacked punch, polish, and personality. 

Phoebe Burgess and Bambi Northwood-Blyth, both in Carla Zampatti, sadly didn’t do the legacy label justice. Phoebe’s tangerine-and-blue silk tie-neck blouse and matching pants had all the subtlety of a tropical doona set – loud, busy, and overwhelming.

Meanwhile, Bambi’s pond water-brown ruched polka dot dress felt like a throwback to 2015, but not in a fun, nostalgic way. The structured shoulders felt dated, and pairing black tights with open-toe heels? A well-documented fashion crime.

These style missteps weren’t necessarily irredeemable – but in the high-stakes world of Fashion Week, the margin for error is razor-thin. Better luck on day two.

DAY TWO

Day two brought with it a strong lineup of shows – but not every guest rose to the sartorial occasion.

From clashing textures to overworked accessories, these fashion missteps reminded us that even the most stylish set can have an off day.

Whether they played it too safe, went too far, or simply missed the vibe entirely, here are the looks that left us more puzzled than impressed.

Nigella Lawson made an appearance at the Lee Mathews show in one of the designer’s signature oversized silhouettes – but unfortunately, the voluminous sleeves and high-contrast black-and-white print overwhelmed rather than flattered 

Bambi Northwood-Blyth and Jessica Gomes both opted for minimalist, businesslike ensembles that erred on the side of forgettable. Suzan Mutesi brought Ralph Lauren’s classic preppy aesthetic to Carriageworks, but the combination a bit too school-uniform-meets-the-catwalk [Pictured: Bambi Northwood-Blyth, Suzan Mutesi, Jessica Gomes]

Nigella Lawson made an appearance at the Lee Mathews show in one of the designer’s signature oversized silhouettes – but unfortunately, the voluminous sleeves and high-contrast black-and-white print overwhelmed rather than flattered.

Paired with bright white sneakers, the look felt more weekend errand run than front row flair. We love seeing Nigella at Fashion Week, but this wasn’t her most polished moment.

Bambi Northwood-Blyth and Jessica Gomes both opted for minimalist, businesslike ensembles that erred on the side of forgettable.

Bambi’s Courtney Zheng grey blazer was sharp but lacked any sense of occasion. Jessica’s sheer black skirt paired with a plain V-neck top felt under-cooked for the event – polished, yes, but it didn’t quite say ‘Fashion Week’.

Suzan Mutesi brought Ralph Lauren’s classic preppy aesthetic to Carriageworks, but the combination of thigh-high white socks, gold-tipped shoes, a red-and-blue striped tie, and a dark polo shirt under a blue blazer was a bit too school-uniform-meets-the-catwalk. A softer or more cohesive palette might have better tied the look together. 

Anahi Sanz [left], Violet Grace Atkinson [middle], and Fleur Egan [right] proved that not all fashion is about experimentation, and sometimes, risks don’t quite land 

Anahi Sanz championed sustainable fashion with a DIY outfit she either made or sourced second-hand – a commendable move, but one that didn’t quite translate. The braided bra, green maxi skirt, black lace gloves and statement necklace all seemed to be from different stories. The intention was great; the execution just needed a touch more editing.

Violet Grace Atkinson stepped out in Givenchy Shark boots, years after their heyday – and while we respect a bold choice, not all trends are meant to be revived. The rest of her look didn’t bring enough modernity to balance the throwback footwear.

Fleur Egan, known for her maximalist styling, may have taken the ‘more is more’ mantra a step too far. Between the grey scrunched thigh-high boots, metallic V-neck top, pleather shorts, and chunky wooden bangles (hello, 2009!), there were simply too many textures competing for attention. The bellboy hat was the final twist – one accessory too many in a look that needed some breathing room. Fashion is about experimentation – and sometimes, risks don’t quite land. 

Eloise Monique [left], Montana Cox [middle], and Maddy May [right]  turned heads for all the wrong reasons – whether they were channelling a garden party gone rogue or prom night memories better left in 2012

But the fashion misfires didn’t stop at sneakers and shark boots. A few more attendees turned heads for all the wrong reasons – whether they were straight out of a garden party gone rogue or prom night memories better left in 2012. 

Eloise Monique wore one of her own designs, which might have looked sweet on a stage set in an enchanted forest – but at Carriageworks, it was more chaotic than couture. Her handmade floral bustle featured vibrant faux flowers in pinks, purples, and oranges, trailing from a skin-toned corset also bursting with blooms. She added floral details to her shoes and hair too. While DIY fashion has its charm, this one was more ‘arts and crafts hour’ than runway-ready.

Montana Cox nearly nailed a classic all-black ensemble – until the practicality of it got in the way. With nothing underneath her oversized blazer, she was left clutching it shut for dear life to avoid a wardrobe malfunction. A strong silhouette loses its impact when you need both hands to hold it together.

Sopha Dopha [left] embraced texture with a mint Selezza London cardigan and midi skirt – but the mismatched outfit gave out cupcake-in-conflict energy. Poppy Fava’s [right] over the top Leo Lin ensemble turned the look from dainty to costume party

Maddy May went for drama with a structured bustier and long organza skirt, but the final result leaned more ‘high school formal circa 2010’ than high fashion. Combined with her black strappy heels, the look felt a little dated – and the craftsmanship didn’t help its case.

Sopha Dopha embraced texture with a mint Selezza London cardigan and matching midi skirt – both embellished with hundreds of handmade fabric flounces. It’s a bold look, no doubt, but the pastel overload combined with white semi-sheer shoes and a black handbag gave the outfit a mismatched, cupcake-in-conflict energy. Sometimes less frosting is more.

Poppy Fava went full romantic in the Leo Lin Bloom Rose mini dress, complete with a 3D floral bodice and a strapless neckline. But she didn’t stop there – white lace tights, a rose choker tied around her shin, and a parasol turned the look from dainty to costume party. A little bloom goes a long way. 

DAY THREE 

Day three was blur of elaborate textures, eye-popping neons, ripped tights, flashy faux (and not so faux) furs, pantless arrivals and accessories that ranged from wacky to downright otherworldly. 

And while Carriageworks is a space to express yourself, these is a fine line between pushing boundaries and blatant impracticality. 

The combination of layering a plush fur coats over neutral toned shapewear-style looks was the clear inspiration for MAFS star Carina Mirabile and online personality Karla Poot. 

MAFS star Carina Mirabile (left) and online personality Karla Poot (right) both layered plush coats over neutral shapewear-style looks. It’s a proven fashion formula, but both lacked the execution in the final fit

Both Charlene Davies (left) and Suzan Mutesi (middle) went all-in on ultra ruffled looks, while Lacey Butlin (right) was all wrapped up in tape by designer Yemat. (Kim Kardashian x Balenciaga 2022, anyone?)

Carina deferred to the Kim Kardashian school of style by layering a SKIMS-esque tan mid thigh bodysuit with a vintage fur coat and added matching tan heels and a baroque patterned bag. But unlike the original queen of reality TV, Carina’s final overall look lacked finesse in the fit.

Similarly, online personality Karla Poot’s execution in the fit let her down. 

Karla committed to an Ena Pelly all-white look layered with a faux fur coat, paired with white point-toe shoes and scrunched clutch. But the gorgeous coat couldn’t hide the unfortunate bunching of the high waisted full briefs layered over the ultra white tights.

Melbourne fashionista Charlene Davies is never one to shy away from making a big fashion statement – and she certainly did it again this year with a tailored white ensemble overlaid with a full-body ruffled mesh veil. But was it a here comes the bride moment? Or is it the ultimate mosquito protection wear? (The Sydney mozzies are pretty fierce.)

Suzan Mutesi made her second appearance on our worst dressed list on day three with an OTT pink dress and cape combo by Sydney bridal and evening wear designer Hayat Hijab. The gown gave cake frosting ruffle energy – and if that alone weren’t enough of a sugar rush, the actress added exaggerated yellow heels featuring gold and green points. 

Model Lacey Butlin was quite literally taped in by Aussie ethical and sustainable designer, Yemat. However, pop culture fashion aficionados will have immediately spotted that this look took heavy inspiration from the 2022 Balenciaga x Kim Kardashian yellow tape bodysuit. Surely the potential of a wardrobe function was high in a dress that short, tight and taped. Little steps, Lacey.

Stylist Fleur Egan’s day three look featured beautiful standalone elements, but felt cluttered when worn all together. Meanwhile, Stan Rittner’s ‘one off never-to-drop’ collab pieces with ethical and sustainable designer, Yemat were certainly one of a kind

Many of the standalone elements of Fleur Egan’s day three look were beautiful, like the off-white broderie anglaise and lace top with matching skirt and the Bvlgari beaded handbag. But the addition of the the bug-eyed pink framed glasses and the slouchy grey boots along with the wooden hair beads and the face framing single braids just felt like all too much at once. So close.

Sydney based French artist Stan Rittner collaborated with ethical and sustainable designer, Yemat on this silver and denim barbed-wire printed vest and jean combination. Giving off major 90s boy band vibes, the look was paired with a bare chest, big metal-buckled white belt, oversized blingy necklace and naturally, a bare chest. 

An Instagram story labelled the Stan x Yemat outfit a ‘one off never-to-drop piece’. Let’s keep it that way. 

DAY FOUR 

As the rain tumbled down, so too did the sartorial standards for a select few in Eveleigh. 

To cover up from drizzle, the fashion set opted for everything from capes to smocks to headdresses and even ski suits. Practical? Maybe. On point? Not so much. 

Floor length slip dresses also made what should have been a welcome appearance at Carriageworks – but the evening wear vibes didn’t naturally translate. 

Caroline Gaultier seemed to think she was hitting the slopes in a Perfect Moment wool ski suit, while Alina Berdichevsky channelled her inner artiste with a smock-like Iordanes Spyridon Gogos x Akira Isogawa piece tossed over an otherwise chic tailored outfit. Suzan Mutesi made her third appearance on the 2025 worst dressed list with an all over the place look topped off with a frilly beaded sheer lace cape

The Real Housewives of Sydney star Caroline Gaultier seemed to think she was hitting the slopes rather than a fashion show when she opted to wear a Perfect Moment jacquard-knit merino wool ski suit. The reality star admitted on Instagram that that she’d chosen the ensemble to be ‘comfy cosy’ on a dreary Sydney day – teaming the head-to-toe bodysuit with Off-White long boots and accented by a green fur stole and matching handbag. Après-ski, anyone?

Alina Berdichevsky got the artistic memo wearing a smock-like piece from the Iordanes Spyridon Gogos x Akira Isogawa capsule collection – and it certainly wasn’t out of place on the sidelines of the theatrical Iordanes Spyridon Gogos show. 

But away from the runway, the piece looked disjointed worn over a classic tailored pant and shirt with chic red and gold pointed heels. It was as though she’d come from the hairdresser and stepped out of the salon – without giving the gown back.

Suzan Mutesi may be going for the record of most appearances on our worst dressed list in 2025 with this unusual outfit. The all over the place looked teamed black with orange splatter-print pants with a crocodile-print structured handbag with cane handle details and a two-toned bralette. But at least she threw on a frilly beaded sheer lace cape for protection from the downpour.

Both dancer Mimi Elashiry and fashion influencer Sophie Dopha donned full-length Hansen & Gretel slip dresses for the eponymous designer’s show – but with varying results. 

Mimi’s look was let down by heavy accessories: thick boots, clunky “mum-bag” and futuristic rectangle shades. Sophie wore the the designer’s Kitty Slip dress, which theoretically should have been a stye slam dunk. Unfortunately the unflattering fit and fabric resulted in the end look coming off as a bit cheap.

Meanwhile, Sydney fashion content creator Isaias Vego looked as though he’d stepped right out of The Matrix movies in an all-black outfit by designer and tailor Zachary Zhaang. 

From the long tailored shirt to the flowing  blazer tails and a balaclava meets skull cap headdress, Neo would surely approve of this underworld-ready style.

And then there was Aussie folk musician Celia Pavey aka Vera Blue who dared to bare in a Nicol & Ford silk halter top and sheer silk pegged trousers worn over a visible black G-string. Throw in some studded platform sandals and a chain belt around the very visible derriere and it was quite the cheeky display. Bottoms up!

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