Ivan Passer, a leading filmmaker of the Czech New Wave who with fled Soviet-controlled Prague and forged a celebrated career in Hollywood, has died. He was 86.
Passer died Thursday in Reno, Nevada, said a friend of the family, Amina Johns. An attorney for Passer, Rodney Sumpter, said Passer had been dealing with pulmonary issues.
He was a lifelong friend and collaborator with fellow Czech filmmaker, Academy Award winner Milos Forman.
RIP: Czech-born film director Ivan Passer died Thursday in Reno, Nevada at the age of 86. He’s seen above in 2006 during a press conference for his movie Nomad
Passer and Forman met as boys at a boarding school in Czechoslovakia in the years after World War II.
It was a class packed with soon-to-be powerful figures, as their classmates included the future playwright and president of the future democratic Czechoslovakia, Vaclav Havel.
After reuniting at the Prague Film Academy, Passer and Foreman’s collaboration and friendship became central to the Czech New Wave in the 1960s, a period when avant-garde auteurs took international cinema by storm with wry, mordant depictions of life behind the Iron Curtain.
‘We were all united, one way or another, with desire to expose the regime on the screen,’ Passer told The Los Angeles Times. ‘And we got away with it because the regime was melting.’
Passer co-wrote several of Forman’s first films, including the Oscar-nominated Loves Of A Blonde, about a young woman seeking romance in small-town Czechoslovakia, and The Fireman’s Ball, a colorful satire of eastern European communism that was banned in their home country but also nominated for an Academy Award.
Pals for life: He was a lifelong friend and collaborator with fellow Czech filmmaker, Academy Award winner Milos Forman, seen together in 2004 above
Co-writer: Passer co-wrote several of Forman’s first films, including the Oscar-nominated Loves of A Blonde, above
Passer made his directorial debut in 1965’s Intimate Lighting, a gentle, comic film about a cellist visiting provincial Czechoslovakia. It, too, was banned by the Communist Party.
After the Soviets invaded Czechoslovakia in August 1968 and a cultural crackdown followed, Passer and Forman fled Prague the following January. Passer often recalled their narrow escape. The two lacked exit visas, but a guard on the Austrian border, who knew Forman’s films, let them pass.
They emigrated to America. There, Forman became one of the top filmmakers, directing Academy Award-winners One Flew Over the Cuckoo’s Nest and Amadeus.
Emigrating: After the Soviets invaded Czechoslovakia in August 1968 and a cultural crackdown followed, Passer fled Prague to the United States
Of Passer’s U.S. films, none is more beloved than Cutter’s Way, the 1981 neo-noir thriller starring Jeff Bridges and John Heard. Though the film’s release was bungled by United Artists Cutter’s Way, directed by Passer, is considered a classic portrait of post-Vietnam malaise.
Passer made the realistic addiction drama Born to Win (1971), featuring a young Robert De Niro; Law and Disorder (1974), with Carroll O’Connor and Ernest Borgnine; and Silver Bears (1978), with Michael Caine and Cybill Shepherd.
The 1992 HBO film Stalin, starring Robert Duvall as the Soviet leader, was a standout. It won three Golden Globes.
Beloved: Of Passer’s U.S. films, none is more beloved than Cutter’s Way, the 1981 neo-noir thriller starring Jeff Bridges and John Heard, above
Awards-worthy: The 1992 HBO film Stalin, starring Robert Duvall as the Soviet leader (above), was a standout for Passer, winning three Golden Globes
The last film Passer directed was 2004’s Nomad: The Warrior, a historical epic set in 18th-century Kazakhstan. The film was shut down halfway through shooting and bought by Harvey Weinstein. He replaced Passer with another director.
In an interview with Film Comment in 2016, Passer, explaining why he hadn’t made a film since, suggested there wasn’t much room in the industry for his kind of film.
‘I refuse to do violent films. I consider it dangerous,’ said Passer. ‘I have seen real violence during World War II.’
Passer is survived by his wife, Anne Passer; a son, Ivan Max Passer; and several nieces and nephews.