Danish artists Superflex have kicked off a mission to build three-seater swings across London spaces as an extension to their new installation at the Tate Modern’s famous Turbine Hall.
Aptly titled One Two Three Swing! the exhibition is made of a series of swings connected by an orange one-pole network that influences the movement of a giant pendulum suspended over the entrance ramp.
The pole structure already extends outside the walls of the London museum and will be followed in the coming months by a number of usable swings set up in outdoor spaces around the city.
Jakob Fenger, of the Superflex trio, said: ‘It’s very simple: the world is full of single swings, and with a three-swinger you can have the joy and feel the movement together with somebody else.’
Danish artists Superflex – (from left) Jakob Fenger, Rasmus Nielsen and Bjornstjerne Christiansen – have transformed the Turbine Hall at the Tate Modern with a new three-seater swing installation designed so people can ‘have the joy and feel the movement [of swings] together with somebody else’
The huge and complex metal structure is built across more than 8,000sq ft of carpet and was commissioned by Hyundai as part of its arts projects. The installation also extends outside the walls of the building, with the artists keen to build similar projects around the capital
Superflex, who have worked together for 25 years, say the overall structure will be affected by the movement of those using the swings and believe it could eventually influence the movement of the planet if the project was expanded. It has been described as a ‘forest-like landscape’ and will be open to the public until April 2, 2018
The group, who have worked together for 25 years, described the installation as a ‘forest-like landscape’ and said that the concept behind it could even influence the movement of planet Earth.
Rasmus Nielsen explained: ‘What a swing does, besides give you that tickling feeling in your stomach, is produce gravity, so to speak.
‘If the orange line continues in an infinite way and a lot of people swing, it will influence the trajectory of the planet. That you can measure by the big pendulum at the end, which is influenced by how the planet moves.’
Mr Fenger added that if enough people begin ‘swinging all together’, it could change the way the planet spins on its own axis – but admitted that the group have not yet calculated how many people that would require.
The group’s comments came as they unveiled the work, a Hyundai Commission for 2017, on Monday. It will be open to the public from Tuesday until April 2 next year.
Also celebrating third member Bjornstjerne Christiansen’s birthday on Monday, Mr Nielsen joked: ‘After we got over that we welcomed (the chance to exhibit in the Turbine Hall).
‘The setting here, which is technically a designated street, fits the way we work. It’s kind of in between the inside and the outside of the museum, which in many ways is where we are, mentally, physically, ideologically, financially.’
The structure, called ‘One, Two, Three, Swing!’, is connected to a metal pendulum hanging from the ceiling at the Tate Modern, with the movement of those using the swings guiding the giant metal ball around. Pictured are the artists taking a break after the unveiling of the installation
Superflex opened the Turbine Hall at the Tate Modern, pictured, last year and said they returned to the ‘phenomenal setting’ with the idea of ‘challenging’ the structure. Meanwhile the Tate’s head of regeneration and community, Donald Hyslop, said One, Two, Three, Swing! was one of the ‘most unique’ commissions in the world and would be a huge draw for the museum
Mr Christiansen added: ‘It’s a perfect match. We like to challenge every structure, every system.
‘The Turbine Hall itself is a phenomenal setting and a phenomenal institution.
‘Of course it is challenging to work here, and we have challenged the institution itself by going beyond (the walls)… but that’s only a good thing.’
Describing the whole concept as ‘accessible and playful’ for visitors, Donald Hyslop, the Tate’s head of regeneration and community, said: ‘This is one of the most unique commissions in the world.
‘Since we opened the new part of the Tate Modern last year we wanted to try something a bit different and more ambitious, which was not just to do a work within the Turbine Hall but to break out into the city and really express the commitment we have to work in the museum and in the city.
‘More of the swings will appear over the next few months and maybe in a year you will see one in Seoul or Rotterdam.’
Superflex artist Mr Fenger added that if enough people begin ‘swinging all together’, it could change the way the planet spins on its own axis – but admitted that the group have not yet calculated how many people that would require
Workmen are pictured putting the final touches to the exhibit before it officially opens tomorrow (Tuesday)