Beaming with joy, Downton Abbey actress Joanne Froggatt shows she is not too posh to push as she takes her newborn baby for a stroll.
It can be revealed that the star, 44, gave birth to her first child earlier this month – four years after she was left heartbroken following the breakdown of her marriage to IT consultant James Cannon.
Looking effortlessly chic, Ms Froggatt wore a black cap, leather jacket and wide-leg trousers as she pushed a must-have £750 Nuna buggy in Berkshire last week.
She was first photographed pregnant in June when she walked down the red carpet at the Into Film Awards in London – a year after she found love again with n boyfriend Mark Turner.
Joanne Froggatt was beaming as she pushed her newborn’s pram on a stroll in Berkshire
The Downton Abbey actress sported a chic yet casual look as she was spotted after giving birth to her new child earlier this month
Joanne is fully concentrated a she pushes her newborns pram safely on to the pavement
She was first photographed pregnant in June when she walked down the red carpet at the Into Film Awards in London (Pictured: pushing her newborn in Berkshire)
Joanne Froggatt as her character Anna Barnes alonside co-star Brendan Coyle, who portrayed John Bates
The pair were first seen together when she took him to a party with a group of her pals at The Italian Greyhound restaurant in London’s Marylebone. One source close to her revealed: ‘Joanne is having a great time with Mark.’
Ms Froggatt was reportedly devastated after the breakdown of her eight-year marriage to Mr Cannon, 43, in early 2020.
Ms Froggatt, who was engaged to DJ Phil Vane at 19, married Mr Cannon in 2012 in a private church ceremony in Oxfordshire attended by her fellow Downton Abbey cast members.
Together, they owned a production company called Run After It, but the actress now manages the business on her own and said that being in charge ‘feels like an exciting new chapter’.
Her baby happiness comes after it was revealed she is set to return to Downton Abbey as production gets under way for the period drama’s third film.
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