Kesha puts on a racy display in a busty crop top and miniskirt as she dances on a kitchen counter

Kesha showed off her incredible figure on Tuesday as she shared a new TikTok video to promote her new album.

The 36-year-old singer officially dropped her fifth studio album, titled Gag Order, last week on May 19. 

She took to TikTok to post a clip of her singing and dancing seductively to a track from the album while crouched on top of a marble kitchen counter.

She sported a busty black leather crop top with silver hoop detailing that showed off her ample cleavage.

The Praying hitmaker also flaunted her toned legs as she donned a tiny frayed black miniskirt.

Looking good: Kesha showed off her incredible figure on Tuesday as she shared a new TikTok video to promote her new album

Steamy: She took to TikTok to post a clip of her singing and dancing seductively to a track from her new album while crouched on top of a marble kitchen counter

Steamy: She took to TikTok to post a clip of her singing and dancing seductively to a track from her new album while crouched on top of a marble kitchen counter

Kesha left her colourful tattoos on her arms on full display and added a pair of black and red leather heeled boots.

Her platinum blonde tresses were left down and she slicked them back out of her face as she sang.

She hid her eyes behind a pair of black cat eye sunglasses and mouthed along to the lyrics of her new single Only Love Can Save Us Now.

While Kesha’s eye-popping outfit and sexy moves caught viewers’ attention, they were distracted by the appearance of Kesha’s mum.

Rosemary Patricia Sebert, known as Pebe, was hilariously featured in the video sat at the counter Kesha was perched on.

She was seen ignoring her daughter and checking her phone while tucking into a fresh salad.

Captioning the sultry but funny video, Kesha wrote: ‘I’m #serving. Mom’s eating.’

Last week, the performer celebrated the official release of her album Gag Order, which was released three years later than her last album, High Road.

The star collaborated with producer, Rick Rubin, and also creative director, Brian Roettinger, who designed the LP’s cover as well as visualizers for several tracks from the album. 

A total of 13 songs are included on Gag Order, and touch on a number of topics, such as vulnerability.

Daring: She sported a black leather crop top with silver hoop detailing that showed off her ample cleavage and also flaunted her toned legs in a tiny frayed black miniskirt

Daring: She sported a black leather crop top with silver hoop detailing that showed off her ample cleavage and also flaunted her toned legs in a tiny frayed black miniskirt

Shady lady: She hid her eyes behind a pair of black cat eye sunglasses and mouthed along to the lyrics of her new single Only Love Can Save Us Now

Shady lady: She hid her eyes behind a pair of black cat eye sunglasses and mouthed along to the lyrics of her new single Only Love Can Save Us Now

Cameo: While Kesha's eye-popping outfit and sexy moves caught viewers' attention, they were distracted by the appearance of Kesha's mum

Cameo: While Kesha’s eye-popping outfit and sexy moves caught viewers’ attention, they were distracted by the appearance of Kesha’s mum

Funny: Rosemary Patricia Sebert, known as Pebe, was hilariously featured in the video sat at the counter Kesha was perched on.

Funny: Rosemary Patricia Sebert, known as Pebe, was hilariously featured in the video sat at the counter Kesha was perched on.

During an interview with Rolling Stone earlier this month, Kesha opened up about the LP and stated, ‘I feel like I’m giving birth to the most intimate thing I’ve ever created.’

‘I really dug into some of my uglier emotions and sides of myself that are less fun. It’s scary being vulnerable.’ 

She further expressed to the outlet, ‘The fact that I have compiled an entire record of these emotions, of anger, of insecurity, of anxiety, of grief, of pain, of regret, all of that is so nerve-racking — but it’s also so healing.’

While talking to Dazed ahead of the album’s release, Kesha discussed the expectation of ‘perfection’ due to being in the spotlight and how being more ‘open’ came into play on the LP.

‘Perfection is an affliction that is perpetuated by social media,’ she explained, and admitted, ‘In the past, on my albums, there’s been auto-tune because there was this idea that to be worthy of love you also had to be perfect.’

‘That’s all a really toxic illusion, especially for women in pop music. It’s not fair to the humans behind the music, but it’s also not fair for culture and for young women.’

The Take It Off singer added, ‘I’ve definitely been guilty of only wanting to share pictures of where I look hot as f**k. But that’s why it was really important for this album to be brutally open and vulnerable with all these very imperfect sides of myself.’

Kesha, who revealed she had been secretly engaged in the past, has been involved in an ongoing court battle with record producer, Dr. Luke, due to allegations that he both sexually and emotionally abusing her. 

New music: The 36-year-old singer officially dropped her fifth studio album, titled Gag Order, last week on May 19

New music: The 36-year-old singer officially dropped her fifth studio album, titled Gag Order, last week on May 19

Following the claims, the producer, whose real name is, Lukasz Sebastian Gottwald, sued the songstress for defamation. Shortly before her album, Gag Order, was released, Dr. Luke won ASCAP’s pop music Songwriter of the Year. 

‘With this album I actually got to get really intimate and expose the sides of myself that I’m not the most proud of,’ Kesha revealed to The Guardian this month. 

‘The ones that I want to never talk about, that I never want to share with the greater public. The ones that are more scary, and more vulnerable, and more insecure. I share a lot of ugly emotions on this album,’ she continued. 

Before her fifth studio album became available to anticipated fans, Kesha released three singles from the LP, including Eat The Acid, Fine Line, and Only Love Can Save Us Now, which she called a ‘desperate and angry prayer.’ 

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